I knew when I began my first book that my main character would develop a telepathic link with a woman who lived far away. It didn’t realize that my love for places that are difficult for me to get to would continue on into the remaining five books in the collection, with each book each containing events occurring in a remote part of a different continent. But that is how they turned out.
Two things about far away places appeal to me. One is how different they are. The other is how similar they are. I think I like the second fact even better.
The modern and independent young Nigerian woman I write about in x0 has a run in with her village’s older practitioners of traditional medicine, known as dibias. In order to make her conflict as realistic as I could, I researched the history of traditional medicine in her Igbo culture, and enjoyed what I learned. It did not surprise me that mixed in with the sorts of superstitions that plague humans everywhere, was both wisdom and centuries old knowledge of ways to heal the human body.
I tried to include the point of view of the dibias, and to accord them respect, even while my character was in conflict with them. And yes, I loved learning about the ways of others that were so different than my own.
But I never forgot how half of my story ended up taking place in Nigeria in the first place.
It’s a country I have yet to visit, which makes it an odd setting for a beginning novelist. But I began the book right after taking a new job in the Houston office of a Nigerian company. They were cramped on office space, and several of us were crowded into a large workroom. Most of my co-workers were young Nigerian scientists and engineers and over the ensuing months I became seeped in their conversions, their food, and their memories of home.
Did I hear about things that were exotic to my ears? Occasionally, and some of those are in the book. But far more often what I heard were things like this as they made their phone calls home.
“Yes, mom, I am eating well. I know. Vegetables.”
“Of course I miss you, dear. It’s just that last night you caught me still at work, trying to get something done. I had a big presentation today.”
“You’ve got to pass chemistry. Email me the your review sheet your professor gave you. We’ll go over it together. Tell mom not to worry. I’ll help you.”
Sound familiar? Of course it does. It’s the sound of humanity, from my home town and from every one else’s home town in every far away place in the world.
You see, we have our differences, and I think that they are fascinating. But then we have our common ways of showing care and concern for those we love. And I think that commonality is even more amazing. That is why I watch with dismay as the United States turns more towards nationalist politics and embraces a fear of the rest of the world.
I no longer live in Houston. Today, I live in the Blue Ridge Mountains, so I was interested to find the John Denver Song “Take me Home Country Roads,” being performed by Playing for Change. I’m a big fan of this multimedia music project that “seeks to inspire, connect, and bring peace to the world through music.”
I can’t help but notice that much of the nationalist movement that concerns me so is being driven by people who live on country roads, just as I do. But a lot of the world lives on country roads, and drives home on them each day to those we care about. We all have that, and so much more, in common.
Enjoy this video of musicians from Japan to Brazil as they sing “take me home country roads.”
(For more thoughts on Far Away Places see Leaving a Light Footprint in a Far Away Place, Caring About Far Away Places, As Far Away Places Edge Closer and The Courage to Embrace Those Far Away Places.)
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