The Gumbeaux Sistahs

Today it is my pleasure to welcome author Jax Frey and her novel The Gumbeaux Sistahs.

Author’s description of the book:

Five Southern women wage a hilarious war against the ageism problems of one of their deep-in-trouble sisters using their improbable friendships, evil-genius schemes, oh-so-numerous cocktails, and a shared passion for good gumbo.

When southern artist, Judith Lafferty, loses her long-time, prestigious museum job to a much younger man, she finds herself devastated, alone in her sixties, and on the brink of financial disaster. Enter the incomparable Gumbeaux Sistahs, who deliver day-old coffee to her front door as a ploy, then go on to kidnap her, feed her excellent gumbo, and come up with outrageous solutions to her problems. Their motives are just good excuses to drink wine, have a great time, argue over whose mother makes the best gumbo, and, most of all, help a sister out. Ageism, dangerous boyfriends, deep loneliness, and any other challenges that can face the over fifty crowd don’t stand a chance against these five resourceful ladies. The Gumbeaux Sistahs is a heart-warming, smart story of friendship and unexpected shenanigans that you do not want to miss.

About the Author:

Born in New Orleans, Jax Frey came into this world, whooping and hollering, with a sense of love and celebration of Louisiana culture, food, family and fun.  Translating that celebration into her writing and onto canvas is her true calling.  Her colorful art depicts everything-Louisiana from her dancing Gumbeaux Sistahs paintings to her popular line of original Mini paintings.  Because over 25,000 of the mini paintings have been created and sold into art collections worldwide, Jax holds a world’s record for The Most Original Acrylic Paintings on Canvas by One Artist.

Jax is also the co-founder of the Women of Infinite Possibilities, an empowering women’s organization started in Covington, LA, where Jax lives today with her lovable, tornado-of-a-pug named Lucy. The Gumbeaux Sistahs is her debut novel.

You can find  Jax Frey on her website or on Facebook. Email her at jaxfreyart@gmail.com. Also visit this website to see her art!

A Personal Note from Me:

I knew when I read Jax Frey’s biography that I had to host this book. For one thing, I lived in Lafayette Louisiana for nearly seven years. While gumbo has never been my specialty, I did leave Louisiana with a great etouffee recipe given to me by a local. It’s still a staple of my cooking. Believe me, food from this region is more than something to eat. It’s a whole philosophy of life!

But more importantly, I love the her organization Women of Infinite Possibilities, so I’ve included a link to it as well. The website says “Women of Infinite Possibilities was founded in September 2009 as a non-profit organization dedicated to touching the lives of one-thousand women in a powerful and meaningful way.” Wow. Sounds like they’ve done that and more.

Purchase The Gumbeaux Sistahs on Amazon

Yes there is a giveaway:

Jax Frey will award a randomly drawn winner a $25 Amazon/BN GC and will award a second randomly drawn winner a print copy of the book (US only).

Enter here to win

My favorite excerpt:

“While he talked, he kept slamming his fist against the countertops. He threw things like the salt and pepper shakers and the tea kettle across the room, and slammed a couple of open drawers shut. Each slam sounded like a gunshot to me. He went on and on. Luke always did like the sound of his own voice. I sat there waiting for the first punch, the first shove, the first something. I remember thinking that I knew he wouldn’t stop this time. I knew Luke was getting ready to kill me. I waited for the end. And I know this sounds crazy, but I remember that I was thinking that poor Bea was going to come home to a horrible mess in her house. Isn’t that the craziest thing?”

“You’re a kind person. It doesn’t surprise me a bit, honestly. Did he hurt you badly, Helen?”

“No,” she said, simply, “Bea killed him.”

This post is part of a tour sponsored by Goddess Fish.

Check out all the other tour stops. If you drop by each of these and comment, you will greatly increase your chances of winning.

 

 

How does she really look?

It turns out I really enjoy book covers. I like looking at them, I like thinking about them, and I love working with professional designers to make them.

I’ve had such fun as these six covers for my re-released collection-in-progress were created, that I hate to see the cover design part come to a conclusion. Aren’t they lovely?

What I’ve enjoyed most is seeing my main characters come to life.

When I first wrote One of One (called x0 at the time) I was obsessed with giving form to my mental picture of Lola, the main character. I wished I could draw well enough to show the world how she looked. I can’t, so I scoured Shutterstock for artists images that captured what I was seeing in my mind. These were some of my favorites.

When I decided to rename the books, I needed new covers. Current fashion is to show the characters, so it looked like I had to find someone who could show the world what Lola really looked like, and would do it at a price I could afford. I found a group called Deranged Doctor Design.

For each cover, DDD found Shutterstock models whose faces were “close enough” to my main characters, and then the faces were altered (if necessary) to make them more accurate. Then the head was stitched onto a body that worked well with the cover design and character. (This process, I presume, yielded the name of the company. I mean what kind of deranged doctor stitches heads onto new bodies?)

The first head DDD proposed for Lola wasn’t right.  She looked too young, but it was more than that. It just wasn’t Lola. I could tell.

The second head looked right as soon as I saw it. What I didn’t know was that the model was blonde, and a creative designer at DDD had already turned her yellow tresses just slightly darker, into a more coppery brown.

The only change I requested was to make her blue eyes brown, which the designer did with no problem.

When it came time to create the last cover, we needed Lola to make a second appearance, but not with an identical face. Unfortunately this particular model didn’t have many options to choose from.

Third from the right had been used. I liked the second one, but it lacked all trace of superhero steel. The first one had an interesting wistful tone, but not really right either. That left #4.

The first version of the cover came back with Lola looking like this. That’s right, the model is blond but the character isn’t.

I was good with her expression, but her blonde hair and blue eyes had to go.

No problem.

Here she is with her darker hair and yes she looks more like Lola. Eyes will be brown in the final version coming on Monday.

It’s funny how she is close to what I saw in my head all along. It’s even funnier that now when I picture Lola, this unnamed model with her altered hair and eyes is the image I have. I guess this is what she really looks like.

 

 

 

 

Watch what you ask for.

Do you get what you want, or do you get what you need?

I had a spirited discussion about this once with a psychologist. I was praising the wisdom of the Rolling Stones; she was sharing her professional observations. We were at a party and it was lucky no nearby cynic entered the conversation arguing people don’t get either.

It is a conundrum, though, isn’t it. You ask for something you think you want, only to discover….

So, a couple of days ago I got this cover proposal for book 5 in my 46. Ascending collection. I loved it, as did others who saw it. This is Ariel, my precog, and Cillian, the Irish prophet who sees the probable end of the human race. They aren’t romantically involved and in fact their powers make even casual touch between them painful.

I asked the designer to put some space in between them, and while she was at it could she please make the ocean behind them more obvious. I like the ocean. It plays a role in the book. I wanted more ocean.

Back came this lovely cover. They aren’t touching, which is good. There is more ocean, but it came at the expense of those gorgeous rocks and thunderclouds and blue lights off to the left. Oh no. Those were the things I liked most about the first cover. I didn’t realize I’d have to lose them to get a little more sea.

That’s the way it works, isn’t it? You can get what you want, but you probably have to give up something else and it may be something you want more. Or something you need. Back to the old expression. Watch what you ask for.