How does she really look?

It turns out I really enjoy book covers. I like looking at them, I like thinking about them, and I love working with professional designers to make them.

I’ve had such fun as these six covers for my re-released collection-in-progress were created, that I hate to see the cover design part come to a conclusion. Aren’t they lovely?

What I’ve enjoyed most is seeing my main characters come to life.

When I first wrote One of One (called x0 at the time) I was obsessed with giving form to my mental picture of Lola, the main character. I wished I could draw well enough to show the world how she looked. I can’t, so I scoured Shutterstock for artists images that captured what I was seeing in my mind. These were some of my favorites.

When I decided to rename the books, I needed new covers. Current fashion is to show the characters, so it looked like I had to find someone who could show the world what Lola really looked like, and would do it at a price I could afford. I found a group called Deranged Doctor Design.

For each cover, DDD found Shutterstock models whose faces were “close enough” to my main characters, and then the faces were altered (if necessary) to make them more accurate. Then the head was stitched onto a body that worked well with the cover design and character. (This process, I presume, yielded the name of the company. I mean what kind of deranged doctor stitches heads onto new bodies?)

The first head DDD proposed for Lola wasn’t right.¬† She looked too young, but it was more than that. It just wasn’t Lola. I could tell.

The second head looked right as soon as I saw it. What I didn’t know was that the model was blonde, and a creative designer at DDD had already turned her yellow tresses just slightly darker, into a more coppery brown.

The only change I requested was to make her blue eyes brown, which the designer did with no problem.

When it came time to create the last cover, we needed Lola to make a second appearance, but not with an identical face. Unfortunately this particular model didn’t have many options to choose from.

Third from the right had been used. I liked the second one, but it lacked all trace of superhero steel. The first one had an interesting wistful tone, but not really right either. That left #4.

The first version of the cover came back with Lola looking like this. That’s right, the model is blond but the character isn’t.

I was good with her expression, but her blonde hair and blue eyes had to go.

No problem.

Here she is with her darker hair and yes she looks more like Lola. Eyes will be brown in the final version coming on Monday.

It’s funny how she is close to what I saw in my head all along. It’s even funnier that now when I picture Lola, this unnamed model with her altered hair and eyes is the image I have. I guess this is what she really looks like.

 

 

 

 

Watch what you ask for.

Do you get what you want, or do you get what you need?

I had a spirited discussion about this once with a psychologist. I was praising the wisdom of the Rolling Stones; she was sharing her professional observations. We were at a party and it was lucky no nearby cynic entered the conversation arguing people don’t get either.

It is a conundrum, though, isn’t it. You ask for something you think you want, only to discover….

So, a couple of days ago I got this cover proposal for book 5 in my 46. Ascending collection. I loved it, as did others who saw it. This is Ariel, my precog, and Cillian, the Irish prophet who sees the probable end of the human race. They aren’t romantically involved and in fact their powers make even casual touch between them painful.

I asked the designer to put some space in between them, and while she was at it could she please make the ocean behind them more obvious. I like the ocean. It plays a role in the book. I wanted more ocean.

Back came this lovely cover. They aren’t touching, which is good. There is more ocean, but it came at the expense of those gorgeous rocks and thunderclouds and blue lights off to the left. Oh no. Those were the things I liked most about the first cover. I didn’t realize I’d have to lose them to get a little more sea.

That’s the way it works, isn’t it? You can get what you want, but you probably have to give up something else and it may be something you want more. Or something you need. Back to the old expression. Watch what you ask for.

 

Bitchy Editor says this is it!

I’m obsessed with my new alter ego, who I’ve come to call Bitchy Editor. I’ve asked her to step forward out of my subconscious and oversee the re-issue of my six novels. So far she’s sunk her teeth into this first book with a blood-thirsty zeal.

She pushed for want she wanted from the fine folks at Deranged Doctor Design, leaving me with a cover I love. Check it out.

Most of her efforts, though, have centered on giving the book itself what I thought was going to be a quick once over. You know, get rid of some of those lingering adverbs. Reduce the he saids, and make the he pondereds, he chuckleds and he exclaimeds go almost completely away.

She has been doing that, and found more than I expected, but that wasn’t enough. She’s decided to look at every sentence and demand to know what it is doing in my book. Does this matter? Who cares about this? Why is this in here?

But it shows my characters development. It’s so cute. I worked so hard on that paragraph. Bitchy Editor has little sympathy for any of that, and she wants me to stop starting so many sentences with but while I’m at it.

The result is I went from about 119,000 words down to 95,000 and it’s a better book. Maybe a little less charming here and there, but readers will never miss those cute detours I took.

I gave her a chance to do one last read after I cleaned up the blood from the first mess she made, just to check the continuity on what she cut, and she’s already loped off another 3000 words and she’s not even halfway through the book. Yikes. I had no idea she lived within me.

Of course, merely eliminating words does not make for a better book. (It does make for an easier to read bad book, but that isn’t my intention.) Eliminating the right words does, and damn if Bitchy Editor doesn’t seem to have a good feel for what needs to go. She’s also added some stuff, tweaking the plot slightly to make motivation more clear.

Why didn’t your original editor do this, you might ask? Well, he did much to improve the book, and he tried to do more. I ignored too many of his suggestion and he was a little too polite with me. Bitchy Editor has no such restraint.

The good news is I’m proud of this new product already, and excited to be releasing it sometime in mid-January. I’ll post more details here.